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Foundations for Progress. A Tale Of Two Foundations One of these things is not like the other. CREDIT: AP Images/Composite. Both of the major candidates for president, Hillary Clinton and Donald Trump, are associated with foundations. PROGRESS IN QUANTUM FOUNDATIONS Andre O. Ranchin DEPARTMENT OF PHYSICS IMPERIAL COLLEGE LONDON Report submitted in partial ful llment of the requirements of the degree of MRes of Imperial College SEPTEMBER 2012. Jewish-Christian Relations Insights and Issues in the ongoing Jewish-Christian Dialogue. About us; Contact; Legal Notice; Please choose your language: Home. Accelerating progress with foundations & grantees. Fenton builds communications campaigns for foundations on issues like childhood obesity, climate change, education and health care access. Our campaigns drive awareness. How does a pier and beam foundation work? A close up look at the progress on the KHouse Modern and an opportunity to explain how pier and beam foundations work. Services Science Journey: Foundations, Progress, and Challenges Mary Jo Bitner PetSmart Chair in Services Leadership Stephen W. Brown Edward Carson Chair in Services Marketing Michael Goul Professor of Information Systems. Progress Rail & EMD are one team, offering complete solutions to the global railroad industry. Supply Chain Management. Supplier information for conducting business with our team. Our Values in Action.Charity Navigator - Advanced Search. Welcome to Progress Foundation – Services. Referral Process. Depending on a client’s location, the referral process can vary slightly. Progress Foundation works directly with clients, but also collaborates with municipal mental health providers to provide alternatives to institutionalization or incarceration. Assessment, Triage and Advocacy: Clients in San Francisco work through the Diversion Evaluation Team (DET) to manage referrals and perform any necessary triage services. Referrals to Progress Foundation generally come through emergency and urgent care services in public and private hospitals, San Francisco Community Behavioral Health Services outpatient clinics, and San Francisco’s residential treatment programs. The DET offers an array of evaluation, referrals, triage, training and clinical consulting services. For more information, please contact Stephanie Twu (4. The ultimate goal of the DET is to serve as an effective navigator of service offerings as well as an advocate for clients and their families seeking non- institutional and comprehensive social rehabilitation services and alternatives. Supported Living Programs: Please call the Supported Living office and ask for the Director or Assistant Director at (4. The office’s fax number is (4. For referral to the Napa Programs (Progress Place, Bella House, and the Napa Supported Living Program), please contact the Program Director or Napa Clinical Director at (7. Referrals to Sonoma Programs. For referrals to our Sonoma program, please call (7. Program Director or Assistant Director. A Continuum of Care. At Progress Foundation, we believe that clients with mental- health issues (often co- occurring with addiction issues) recover and thrive best in a well- supported, community- centric environment. That’s why our team offers a selection of programs which address a range of care levels, from immediate intervention through longer- term support. San Francisco clients are evaluated by our specialized Diversion Evaluation Team (DET) which provides an initial evaluation in the local psychiatric emergency clinic. The DET acts as an advocate which ensures that clients who may benefit from our services have an effective option to avoid involuntary hospitalization. The team is on duty seven days a week. For referrals or information, please phone Stephanie Twu (4. This San Francisco- based facility is available to individuals experiencing an escalating psychological crisis which, if not immediately addressed, may result in involuntary detention or hospitalization. Dore Urgent Care Clinic provides assessment and triage in a supportive, community- based setting that is fundamentally different from a hospital- based psychiatric environment. Learn more about Dore Urgent Care Clinic and referral procedures by phoning (4. Progress Foundation operates a half- dozen Crisis Residential Programs in San Francisco, Sonoma, and Napa counties. These intensive, 2. ADUs are available to clients with a major mental- health diagnosis who may also have a co- occurring substance- abuse or physical- health challenge. These programs are run out of homes located in residential neighborhoods and offer clients a discreet, stigma- free setting for up to two weeks at a time. ADUs are ideal for helping a client stabilize, re- engage with a household community, and work on short- term goals in their custom treatment plan. An interdisciplinary team of psychiatrists, nurse practitioners, and residential therapists provides intensive treatment addressing all aspects of physical and mental health. These programs represent the next step in Progress Foundation’s continuum of care—longer term (three months to a year) residential support appropriate for maintaining stability and working on long- term goals. Clients are fully integrated into household life and, where appropriate, also participate in job- training, school, work, or day treatment programs. The ultimate goals for these programs include developing critical social skills and coping strategies, finding housing, and securing ongoing services and supports in preparation for discharge from the program. Progress Foundation’s transitional programs also include groundbreaking, specialized facilities for seniors, clients leaving long- term institutionalization, and mothers seeking to regain custody of children. The cooperative living apartments (called the Co- ops) are apartments that are leased or owned by the agency and rented by four to five residents who share the responsibility for rent and utilities. Residents receive individual case management services and attend regular house meetings facilitated by a case manager to assist clients in the coordination of maintaining a communal household. Clients work closely with their case managers to determine the type and frequency of services they receive. Because these cooperative living apartments are scattered across our treatment area, they afford residents privacy and stability without stigma. Residents are referred into the Co- ops by a service provider. Progress Foundation has three independent living apartment buildings in San Francisco and two in Napa, with some units in select buildings set aside specifically for families. Independent living apartments are for individuals who require moderate—yet ongoing—support in order to attain maximum independence. Residents have access to case management services, but participation is not a requirement for maintaining residence. Each building has a resident manager to respond to facility needs and help maintain a safe, clean environment. Residents pay 3. 0% of their income for rent. Waiting lists are maintained in accordance with HUD regulations, with notification to the community when a list is open and accepting applications. IPCOM Project. Interprofessional Primary Care Outreach for Persons with Mental Illness. Many clients referred to Progress Foundation programs have physical health conditions that have gone undetected or untreated due to lack of access to primary health care. The IPCOM Project (Interprofessional Primary Care Outreach for Persons with Mental Illness) is a nurse- managed primary care service established in 1. Progress Foundation and the School of Nursing at the University of California, San Francisco. UCSF Nurse Practitioners and Nurse Practitioner students work collaboratively with Progress staff, consultant psychiatrists and psychiatric Nurse Practitioners, and pharmacist faculty and pharmacy doctoral students to provide health screenings, treat general illnesses and injuries, and support health education on topics such as nutrition, smoking cessation, and diabetes management within a mental health residential treatment framework. A 3. 0 secondi dalla fine. Walter Veltroni. Che cos? Dove va, veloce come il vento, nel gelo dei boschi dell? Viaggia verso la catastrofe, con inquietante sicurezza. Viaggia verso un Big Bang annunciato, portando la sua forza erculea, moltiplicata da un. 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ALLARME NEI CIRCONDARI (*) 'PONTELANDOLFO E CASALDUNI' di Luisa Sangiuolo (*) da: 'Il Brigantaggio nella Provincia di Benevento 1860-1880' De Martino, Benevento, 1975 In memoria di Gregorio Misciattelli Bernardini, fondatore e primo Presidente della Associazione Reduci della 1^ Legione d’ Assalto “M” Tagliamento e del Comitato Onoranze Caduti di Rovetta e di Padre Antonio.Watch free TV shows and movies online. Tubi TV offers all your favorite entertainment totally free online, and on more than 100 devices. Share your best poems, have your poetry reviewed. Spain, Everyone Love Spain. Hook - Love Songs (1999) These alternative suggestions have been selected for you by eBay's recommendation engine. Sellers: Learn more about how to get. More to Love (1. 99. Movie. More to Love. No Reviews Yet. Release Date: January 1st, 1. Not Yet Rated. 4. Plot Summary. An overweight factory- worker falls for a dashing British man who has a secret or two. 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The once- controversial Rising Sun / The Dissolve. Welcome to the second and final entry in Michael Crichton Month here at Forgotbusters, a month dedicated to screen adaptations of early- 1. America about the dangers posed to them—by sexually assertive businesswomen with perfect breasts, and by corporations owned by people who look and talk different. This is likely not the last time Forgotbusters will revisit Crichton’s 1. Congo, a stirring manifesto that tried desperately to warn society of the dangers posed by super- intelligent killer apes. A long, long break. Industry information at your fingertips. Over 200,000 Hollywood insiders. Enhance your IMDb Page. I had planned to read Rising Sun, a 1. Crichton mystery that attracted controversy thanks to its depictions of ruthless Japanese businessmen, in preparation for writing about the 1. Philip Kaufman. But reading Disclosure for the last entry angried up the blood to such an extent that I figured the six to eight hours I’d theoretically spend reading Rising Sun in a state of extreme agitation—pausing intermittently to howl into the vastness of the universe in rage that such a hateful abomination not only exists but was a runaway best- seller and then a hit movie—would be better spent doing anything. Literally anything would represent a better use of my time and energy than reading Rising Sun: screaming incoherently at passersby, sorting my change collection by year and denomination, crab- walking down Michigan Avenue in rush- hour traffic—all would be preferable to subjecting myself to the paranoid rantings that Crichton Trojan- horsed into lurid paperbacks. Crichton really seemed to think of novels like Disclosure and Rising Sun as edutainment, if not outright journalism. In the afterword to Disclosure, Crichton writes: The episode related here is based on a true story. Its appearance in a novel is not intended to deny the fact that the great majority of harassment claims are brought by women against men. On the contrary: The advantage of a role- reversal story is that it may enable us to examine aspects concealed by traditional responses and conventional rhetoric. However readers respond to this story, it is important to recognize that the behavior of the two antagonists mirrors each other, like a Rorschach inkblot. The value of a Rorschach test lies in what it tells us about ourselves. Instead of writing a musty old op- ed piece or a dry lecture, good old Professor Crichton considerately and lucratively began a public conversation about important issues of the day via novels filled with sadomasochism, racism, sexism, and xenophobia. IGN is the Medal of Honor: Rising Sun (Xbox) resource with reviews, wikis, videos, trailers, screenshots, cheats. After Earth's distant colonies are devastated by an alien menace called The Covenant. Submitted by Lady N on Sun, 11/13/2011 - 13:08. This is the menace that the Thalmor represent! They are cruel and merciless, but they are. Rising Sun was a console cracking group, active on the GBC and GBA. Edit; Andrew; Chiiiii! Freekstyle; Hadooken; Johnny The Belgian; Jokre. Last edited on by menace. Menace of the Rising Sun (1942) on IMDb: Movies, TV, Celebs, and more. DARK SIDE OF THE RISING SUN Sep 3, 2016 One year on. Exploitative enterprises continue to menace society. The Japan Times on Sunday The Japan Times ST Jobs Study in Japan JT for Women JT Bookclub Japanese School. Crichton then acted shocked when his sleazy potboilers were treated as offensive entertainment and not as important facilitators of high- minded discourse. Crichton’s comment about his narrative being a like a “Rorschach test” that reveals one's secret prejudices is even more frustrating, since he’s throwing all the criticism he's rightfully received back onto the reader. Criticize Disclosure for being poorly written and misogynistic in its depiction of a sexy boss as the ultimate abuser of power? Maybe it’s you who has the problem with empowered women and think they’re such delicate, sensitive little flowers that they should only be depicted in unambiguously positive ways, lest their sensitive constitutions cause them to faint in horror and disgust. Think Rising Sun, is a hateful, xenophobic jeremiad that depicts Japanese culture as alien, racist, obsessed with sex and greed, and intent on waging economic warfare with the United States? Then maybe you are the racist, xenophobic one, since all Crichton saw himself doing was telling an inconvenient and uncomfortable truth.“They couldn’t make Rising Sun good; they could only make it marginally less terrible.”In a fascinating Los Angeles Times article about Crichton parting ways with Rising Sun director Philip Kaufman during the making of the 1. Kaufman highlights the didactic nature of Crichton’s novel when he says, “But the thing is, you can’t make a movie that lectures or has a bibliography of sources the way the novel does. I was concerned with, you know, what do you make a movie about here? What’s the story?” In the same article, Kaufman says he made the movie not because of its controversial political message, but because it offered him an opportunity to make an old- school murder mystery that was also, in the director’s words, “this fable, this adventure where the hero gets the call and along the way meets the wizard who guides him to the dark tower through strange customs and unfamiliar, even hostile territory.”Kaufman also invokes Chinatown and Humphrey Bogart mysteries as part of his motivation for taking on such a dodgy project. Kaufman is a smart, talented guy, having written and directed films like The Right Stuff and the 1. Invasion Of The Body Snatchers. So I’m going to take him at his word and assume that he looked at Crichton’s page- turner and saw that once it was scrubbed clean of two or three layers of racism, there was a perfectly mediocre, extremely commercial murder mystery at its core, featuring the kind of mentor/protege relationship (or “Senpai/Kohai” to use the terminology employed in the book and film) that’s been seen in entertainment thousands of times over the ages. In Rising Sun, Sean Connery confidently inhabits the role of the serenely smiling guru John Connor, a retired police captain and expert in all things Japanese who smugly dispenses koans, riddles, and aphorisms to troubled cop Webster Smith (Wesley Snipes), his less- than- eager pupil, along with all manner of useful exposition about Japanese culture. Connery plays Connor—a role Crichton wrote specifically for him, right down to giving him a name suspiciously like the actor’s—with a sense of sublime detachment attributable equally to the character’s zen serenity and the actor’s lack of engagement with the role. Connery doesn’t take himself remotely seriously and neither, to its credit, does the film. Crichton may have deluded himself into thinking he had written a muckraking expos. Smith is sent to investigate, only to discover that Nakamoto’s emissaries—many of whom don’t even speak English as a first language, and, even more damningly, appear to have been born in a country other than the United States—are intent on obstructing the investigation for their own sinister, non- American purposes. Rising Sun attempts to undercut the xenophobia at its core by making Connor an unabashed Japanophile and putting many of the most hateful comments about the Japanese into the mouth of Lieutenant Tom Graham (Harvey Keitel), a corrupt, ignorant, and hateful heavy. But if observations like “These guys are known world- class perversion freaks” are meant to be taken with an appropriate degree of skepticism, scenes of debauched Japanese hustler and playboy Eddie Sakamura (Cary- Hiroyuki Tagawa) lustily eating sushi and drinking sake off the naked bodies of prostitutes don’t exactly counteract the assertion. Nor does a leering tour of the secret pleasure palaces where Asian gentlemen can get their rocks off when they’re not planning an international financial takeover. The Japanese characters in Rising Sun are all either grim- faced, glowering businessmen with inscrutable customs or debauched hedonists whose customs are eminently understandable. Sakamura figures prominently in the murder of the prostitute; there’s even seemingly clear- cut surveillance footage showing him fleeing the scene of the crime. But as Connor sagely tells his protege, things aren’t always what they seem. Turns out it’s pretty easy to doctor video footage, as the detectives learn from Jingo Asakuma (Tia Carrere), a techno- savvy young woman who diligently conceals her hotness behind stern librarian glasses and an unflattering, matronly bun—until she climactically lets down her hair to reveal that she in fact looks like the sort of glamorous movie star who gets cast as the female lead in Wayne’s World. Crichton was reportedly unhappy with the casting of a black actor in the role of Smith, arguing that at the time the book was written there were no African- American officers employed in the Asian Crimes Investigation Unit of the L. A. P. D., where the character works. But the casting of a black actor in a film about the cultural schisms between the East and West registers most strongly, and most embarrassingly, in a sequence where Smith, having tired of Connor’s condescending commands to alter his behavior and affect to accommodate an exotic people whose customs are foreign to him, takes Connor to a place filled with strange and exotic people whose customs he guesses might appear foreign to Connor: the hood! Oh snap! In a sequence that plays unmistakably like a clueless middle- aged white person’s conception of what a culture clash between the Japanese and denizens of the ghetto might entail, Smith has his inner- city friends menace the Asian thugs that are after them in a manner that would feel more appropriate in a wacky comedy than the stirring wake- up call Crichton intended. Rising Sun boasts shiny, shiny production values befitting a big- budgeted Sean Connery vehicle adapted from a bestselling novel, but scratch the glossy surface and Rising Sun reveals itself to be a Cinemax- ready B- movie, complete with a rogue’s gallery of villains, each tackier and more ridiculous than the last. There is, first and foremost, Eddie, a comic- book figure of pure sleaze who seems to have drunkenly stumbled in from the Dolph Lundgren/Brandon Lee film Showdown In Little Tokyo. Eddie’s evil is augmented by that of Senator John Morton, a morally dubious politician Ray Wise plays as a glad- handing phony. And last and almost certainly least there’s Bob Richmond (Kevin Anderson), a blow- dried lawyer for the bad guys who wouldn’t be out of place as the head of the evil competing fraternity in a 1. Un misterio para el se..
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